#Whitenoise

An evening-length solo exploring information overload


Maker/Performer: Dalton Alexander

Dramaturg: María Sanchez Alonso

Sound: Original Design by Dalton Alexander, Mixing/Mastering by Aaron Gold

Lighting Design: Jessi Barber

Videographer | Robert Mooring GG3D

Editor | Dalton Alexander

Stage Manager for Studio 210 Production | Stephanie Unger

Photography | Hannah Young

Premiered August 9, 2019 in San Francisco, CA, USA

Quick Info

Run time: ~52min | This piece contains nudity.


The Concept

#Whitenosie uses task-based improvisation, subtly promiscuous dancing, and cathartically slow movement to explore information’s effect on my human body. Taking from US-centric media - mainstream & social, and various modes of dispersal - it references the ongoing threat between Trump and N. Korea; longs for a past that was before my time as if something “great" in the US already existed; climaxes with disturbing patriotism; and ends in a visual installation that comments on capitalism, materialism, and how we humans are held suspended by these systems.

#Whitenoise is a form of protest against social media, its false sense of importance to the individual, but sweeping effect on the collective. What becomes of a projected patriotism that is stomped on? Of a pride that has turned to disgust?

PREVIOUS PERFORMANCES

 
 

Initially workshopped and presented as a work-in-process for YES to Everything, a festival by Footloose Presents, in 2017. "The term white noise, the 'sh' noise produced by a signal containing all audible frequencies of vibration, is sometimes used as slang (or a neologism) to describe a meaningless commotion or chatter that masks or obliterates underlying information." Wikipedia

Thank You

Deborah Slater, Chris Murchison, Pam Kileen, Michelle & Robert Portillo, Heather M. Kitchen, Jeremy Yee, Margaret Jenkins Dance Company, Raisa Punkki, Chinchin Hsu, Juliet Paramor, Bekka Rosenkrantz, Sophie Melis, Giulia Blasig, & Dounia Mojahid

Copyright: Dalton Alexander 2019 All peripheral recorded music used in this production belongs fully to the owners of those particular songs.