Addo Platform presents: Our Stories
created in the confines of the shelter-in-place order by the City of San Francisco due to the CoVID-19 pandemic
nothin’ at the moment! check back soon :)
created in the confines of the shelter-in-place order by the City of San Francisco due to the CoVID-19 pandemic
A completed solo work by Dalton Alexander asking what the age of information is doing to our bodies. Presented by Cunst-link (Artist Commons).
A completed solo work by Dalton Alexander asking what the age of information is doing to our bodies. Presented by Cunst-link (Artist Commons).
a completed solo work by Dalton Alexander. Presented by Art of the Matter Performance Foundation and Studio 210
a completed solo work by Dalton Alexander. Presented by Art of the Matter Performance Foundation and Studio 210
a completed solo work by Dalton Alexander. Presented by Art of the Matter Performance Foundation and Studio 210
a completed solo work by Dalton Alexander. Presented by Art of the Matter Performance Foundation and Studio 210
a completed solo work by Dalton Alexander. Presented by Art of the Matter Performance Foundation and Studio 210
a completed solo work by Dalton Alexander. Presented by Art of the Matter Performance Foundation and Studio 210
a completed solo work by Dalton Alexander. Presented by Art of the Matter Performance Foundation and Studio 210
a completed solo work by Dalton Alexander. Presented by Art of the Matter Performance Foundation and Studio 210
a completed solo work by Dalton Alexander. Presented by Art of the Matter Performance Foundation and Studio 210
a completed solo work by Dalton Alexander. Presented by Art of the Matter Performance Foundation and Studio 210
"Shadows and Embers" is an evening of multiple vignettes featuring new work by the Company, as well as a new collaboration between the Company and Rinde Eckert, and a new duet between Rinde and Margaret Jenkins as they continue to explore the echoes from "Shorebirds Atlantic" (1988).
"Shadows and Embers" is an evening of multiple vignettes featuring new work by the Company, as well as a new collaboration between the Company and Rinde Eckert, and a new duet between Rinde and Margaret Jenkins as they continue to explore the echoes from "Shorebirds Atlantic" (1988).
"Shadows and Embers" is an evening of multiple vignettes featuring new work by the Company, as well as a new collaboration between the Company and Rinde Eckert, and a new duet between Rinde and Margaret Jenkins as they continue to explore the echoes from "Shorebirds Atlantic" (1988).
Glimpse inside a creative process, see a variety of choreographic episodes that combines text, music, sound, narrative and choreography with an intimate and mobile showing that traverses our Dance Lab and other studio spaces at the SF Conservatory of Dance.
Glimpse inside a creative process, see a variety of choreographic episodes that combines text, music, sound, narrative and choreography with an intimate and mobile showing that traverses our Dance Lab and other studio spaces at the SF Conservatory of Dance.
Glimpse inside a creative process, see a variety of choreographic episodes that combines text, music, sound, narrative and choreography with an intimate and mobile showing that traverses our Dance Lab and other studio spaces at the SF Conservatory of Dance.
As a response to our current era of escalating social media frenzy and its fleshless interaction, our latest work explores what it means to be in control, between control, out of control and by extension what it means to set controls for oneself; this collaborative project between choreographer Raisa Punkki, visual artist Alice Malia, lighting designer Jack Beuttler, sound designer Aaron M. Gold and five dancers utilizes the tools of the stage—sound, light, and visual design—as a means of investigating what it means to be seen versus choosing not to be seen
Dancers Meegan Hertensteiner, Derek Harris, Dalton Alexander, Karla Quintero and Hien Huynh will bring their A-game and super-dancer-powers to master the explosive, sensual and athletic choreography.
Central to the production will be the interplay of light and shadow, which will be used to amplify notions of what it means to be seen or not to be seen. Paper sculptures that dot the set will be pierced by lights of various temperatures as dancers veer from warm and cozy scenes to those that are curt and sharp.
Among the performers onstage will be visual artist and set designer Alice Malia, who while on stage will create paper sculptures and drawings in real time that produce shifting landscapes across the stage.
As a response to our current era of escalating social media frenzy and its fleshless interaction, our latest work explores what it means to be in control, between control, out of control and by extension what it means to set controls for oneself; this collaborative project between choreographer Raisa Punkki, visual artist Alice Malia, lighting designer Jack Beuttler, sound designer Aaron M. Gold and five dancers utilizes the tools of the stage—sound, light, and visual design—as a means of investigating what it means to be seen versus choosing not to be seen
Dancers Meegan Hertensteiner, Derek Harris, Dalton Alexander, Karla Quintero and Hien Huynh will bring their A-game and super-dancer-powers to master the explosive, sensual and athletic choreography.
Central to the production will be the interplay of light and shadow, which will be used to amplify notions of what it means to be seen or not to be seen. Paper sculptures that dot the set will be pierced by lights of various temperatures as dancers veer from warm and cozy scenes to those that are curt and sharp.
Among the performers onstage will be visual artist and set designer Alice Malia, who while on stage will create paper sculptures and drawings in real time that produce shifting landscapes across the stage.
As a response to our current era of escalating social media frenzy and its fleshless interaction, our latest work explores what it means to be in control, between control, out of control and by extension what it means to set controls for oneself; this collaborative project between choreographer Raisa Punkki, visual artist Alice Malia, lighting designer Jack Beuttler, sound designer Aaron M. Gold and five dancers utilizes the tools of the stage—sound, light, and visual design—as a means of investigating what it means to be seen versus choosing not to be seen
Dancers Meegan Hertensteiner, Derek Harris, Dalton Alexander, Karla Quintero and Hien Huynh will bring their A-game and super-dancer-powers to master the explosive, sensual and athletic choreography.
Central to the production will be the interplay of light and shadow, which will be used to amplify notions of what it means to be seen or not to be seen. Paper sculptures that dot the set will be pierced by lights of various temperatures as dancers veer from warm and cozy scenes to those that are curt and sharp.
Among the performers onstage will be visual artist and set designer Alice Malia, who while on stage will create paper sculptures and drawings in real time that produce shifting landscapes across the stage.
A solo by Dalton Alexander. Double-bill with Eric Rubin.
I have just returned to the US after being gone for nearly three years. I am angry and frustrated by our political and economic systems. I feel helpless and hopeless. And I feel my future is being stripped away from me.
Remains is a surreal ensemble work about death that looks at the complicated relationship between individual and communal mourning. Remains is the first work in Slender-White’s diptych on death and loss.
A solo by Dalton Alexander. Double-bill with Nikolas Strubbe.
I have just returned to the US after being gone for nearly three years. I am angry and frustrated by our political and economic systems. I feel helpless and hopeless. And I feel my future is being stripped away from me.
Remains is a surreal ensemble work about death that looks at the complicated relationship between individual and communal mourning. Remains is the first work in Slender-White’s diptych on death and loss.